Interesting, I wonder why this couldn’t be accomplished with conventional techniques. I own a handful of “AI” Plugins meant to achieve similar cleanup and I feel like it always needs to be tweaked to sound right. And that’s for a guy like me without practiced mixing ears. I wonder why real studio engineers needed AI.
From what I’ve gathered, it was just AI to clean up a track that was previously too poorly recorded to release.
It’s not synthesised, it’s just repaired.
Damn, was looking forward to a.i. Yoko Oni ruining the track.
Interesting, I wonder why this couldn’t be accomplished with conventional techniques. I own a handful of “AI” Plugins meant to achieve similar cleanup and I feel like it always needs to be tweaked to sound right. And that’s for a guy like me without practiced mixing ears. I wonder why real studio engineers needed AI.
It was likely a combination of AI and manual tuning, like with modern photoshop plugins.
AI in this usecase is another tool for the engineer.