Hadn’t made it to “I’m Sorry” in a while, and her annunciation on “We’re unstoppabewal- indestructabewal” is kinda hilarious. Especially since on the original track they don’t even really do that socal blink 182 vowel thing and say it mostly normal.

On the same note as others here recommending instrumental jazz, I also listen to a decent amount of international. Not understanding the language helps me to not be distracted by it. So there’s an endless wealth of interesting music in the Sublime Frequencies catalogue and it just drifts into the background for me unless I actually choose to focus on it.

Curious about this one. From the trailers it looked a little… try-hard / cringe? Nothing against J-Law just seemed like an odd one that might suck. Will keep my eyes on it.

Fair enough! The stair scene was the one time where I actually laughed out loud and stopped enjoying the combat. But then whatever points I had detracted because it was dumb I gave back because I laughed. Honestly if I just had to rate the end of the movie it wouldn’t be a total winner.

There haven’t been any action movies pulling it off as well that I’m aware of for a long time. Most movies are very cut-heavy, because it’s easier to direct a fight scene if you’re close up and cutting to a different angle on every contact. The way they do it in John Wick is so satisfying and technically impressive, hopefully it catches on.

I’m moving that section to the top because it’s important and really should be the first thing I mention.