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Joined 1 year ago
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Cake day: January 9th, 2025

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  • Gonna agree with you for opposite reasons. The combat in the postgame dungeon, Costlemark I think. The one where you can’t use any healing items, it was a worthy challenge.

    The other postgame dungeon, the platforming one was, was way better than many final fantasy challenges like jumping rope and dodging lighting.

    Special mention for the incredible soundtrack, the Matoya’s Cave remix especially.

    But ya everything before the postgame, the umm main game I guess, was ridiculously short. Imagine FFIV ending when you drill into the underworld, or FFVI ending when the the world breaks, that’s what the story in FF15 feels like. As soon as you depart to the next continent you get rug pulled by a time jump that takes you to the final boss 🫠














  • Haha so right. My original draft lamented how the psychedelic, pansexual, spy with a little gun Jerry Cornelius only lives on in the pale echo of Austin Powers. But then I thought it was too niche.

    But ya The Final Programme was my first literary introduction to homosexuality. The weird psychotropic defense towers on the Cornelius estate may have been my first introduction to mind altering states too.

    The original velvet suited dandy from swinging London (imo):




  • Stormbringer is Elric’s famous sword. You can hear someone shout it in GoT when Joffrey is about to name his sword. It’s evil and drinks the souls of those it kills, passing some of the energy to Elric.

    Anyways. Elric is a sickly inbred albino prince of a an ancient , evil, and decaying empire (aka Fantasy Britain). Without his evil sword he is a total weakling pushover.

    And people think this is a white power character/symbol? Blows my mind.